Stimpson, Michelle: No Weapon Formed, The Boaz Brown Series #2

July 18, 2014

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Book Title: No Weapon Formed

Genre: Christian Fiction

Series: The Boaz Brown Series

Paperback: 248 pages

Publisher: CreateSpace Independent Publishing Platform (May 21, 2014)

ISBN-10: 1499642784
ISBN-13: 978-1499642780

About The Author

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Michelle Stimpson is an author, a speaker, and an educator who received her Bachelor of Science degree from Jarvis Christian College in 1994. She earned a Master’s in Curriculum and Instruction from the University of Texas at Arlington in 2002. She has had the pleasure of teaching elementary, middle, and high school as well as training adults. In addition to her work in the field of education, Michelle ministers through writing and public speaking. Her works include the highly acclaimed Boaz Brown, Divas of Damascus Road (National Bestseller), and Falling Into Grace. She has published several short stories for high school students through her educational publishing company, Right Track Academic Support Services, at www.wegottaread.com. Michelle serves in women’s ministry at her home church, Oak Cliff Bible Fellowship, in Dallas, TX. She regularly speaks at special events and writing workshops sponsored by churches, schools, book clubs and other positive organizations, and she has taught writing classes at the University of Texas at Arlington. Michelle lives near Dallas with her husband, their two teenage children, and one crazy dog.

Social Links:

Twitter handle https://twitter.com/StimpsonTweets

Facebook http://www.Facebook.com/Michelle.Stimpson2

Email stimpson.michelle@gmail.com

Website http://www.MichelleStimpson.com

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About The Book

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LaShondra and her Boaz, Stelson, are living the ideal American lifestyle, except for the subtle and not-so-subtle ways society keeps reminding them that they aren’t the norm. She’s African-American, he’s Caucasian, and their oldest child is already tackling the question of identity. It’s bad enough when outsiders show their ignorance or disdain. But when the issues come from family, LaShondra finds herself wondering if Stelson can truly comprehend the challenges looming on the horizon.
When a church picnic leads to a head-on clash between LaShondra’s fears and Stelson’s optimism, the truth prevails. But that’s just the beginning.

LaShondra learns that the drama during the family outing was only a set-up for an even more rigorous spiritual battle to save her family. After turning her back to the pressures at work and yielding to Stelson’s leadership, LaShondra finds herself interceding for a husband she hardly even recognizes anymore.

Is this the beginning of the end for the couple that truly endeavored to honor God’s ways, or will this season fortify their marriage for His glory?

Buy Links:

Amazon ebook

Barnes & Noble

Amazon paperback

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Excerpt

Hwuuuuu. Sheeeee. Hwuuuuu. Sheeee.

“Stelson. Turn over on your stomach.” I shoved my husband’s shoulder, attempting to wake him.

No response.

Hwuuuuu. Sheeeee. Hwuuuuu. Sheeee.

“Stelson. Roll over.” A little louder, a little stronger push this time.

The television illuminated his glare at me, displaying the kind of anger that only a Church of God in Christ usher gives a member chewing gum in the sanctuary. “What?”

I demanded, “Roll over. You’re snoring.”

“No, I’m not.”

“Yes, you are.”

“I’m not even sleep,” he protested.

“You think I woke you up so I could lie to you?”He crumpled up his face, flipped onto his stomach with a grumble and turned his head away. I didn’t care about him getting upset. He wasn’t the one who had to rise at 5:00 a.m. so he could work out, get himself dressed, and then get a 6 month old and a 4 year old up, fed, dressed and at the daycare before 7:15 a.m.—all the while hoping to make it to work by 7:45 a.m. To be fair, Stelson would have helped with the kids if I’d asked him. But why should I have to ask? Shouldn’t it be instinctive to think, “Wow, my wife is really busting her behind with the kids. Since I have a morning off, I should use it to help her.”?

Apparently this is not common sense.

Within seconds, my husband was at it again. Only this time it wasn’t so much the sound as the annoying vibration of the rattle in his throat and nose.

How have wives slept through snoring husbands for centuries?

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Publishing Horror Story

Well, by this point, I’ve been published by 2 mainstream publishers, 3 smaller publishers, and I’ve also self-published. I’ve sold books with and without an agent, and I’ve published short stories for myself and others (www.WeGottaRead.com).

For the most part, I have had good experiences with publishers. One can imagine, however, that there have been a few hiccups along the way. My worst publishing experience came when a company held onto my book for 3 years while they went through a bankruptcy. Because my contract was so imprecise, I could do nothing to get my book out of their hands. That’s the horrible part.

But what I’d like to focus on is how to avoid a publishing horror story.

First let me say that I’m not an attorney, so I cannot give you legal advice. But as an author whose book is still tied up with a publisher who wasn’t able to put any money behind promoting that book and (to this day) won’t return the rights until the last 600 books sitting in their warehouse sell, I’ve learned a few things to look out for in contracts.

1. No Linking Royalties

In a multi-book contract, make sure the royalties will be paid separately. Reason being: If you have three books and the third one doesn’t do so well, you don’t want the publisher to subtract from your royalties on the first two, which have earned over and above their advance. Everyone (including you) is taking a risk with every single book, so let each book’s royalties stand alone.

2. Reversion of Rights Policy

Make sure that there is a very specific way to know when you can get your copyright back. In a bad contract, the publisher will give the rights back whenever they’re no longer making a profit. A profit might be one book sold in a year’s time…who knows? Basically, they’ll give the rights back whenever they get good and ready. In the past, publishers might have been compelled to return rights once they ran out of books. But now, with e-books, they have no physical inventory to store, thus there’s nothing to lose by keeping the rights forever. If one e-book sells, they make a little. If nothing sells, they haven’t lost anything. You, however, might want to take that book, make some changes, re-release it as an e-book, give it a new cover and some new life, re-sell the mass market right to another publisher..the options are endless. But you can’t exercise any of those if you don’t have the rights.

In a decent contract, you can request the rights after two or three consecutive royalty statements falling below a certain amount of money. Whatever you negotiate, don’t leave your rights out of your reach forever.

3. Movie rights

Keep them for yourself if at all possible. If it’s in the contract, just cross it out and write your initials. Talk about or negotiate it later–only if the publisher questions it.

4. Specify genre and word length for First Right of Refusal

In just about every contract, the publisher will include a clause that says you have to show them your next book first so they can decide if they want to publish it. They have a certain amount of time (weeks or a few months) to let you know if they wish to publish it. This makes good sense for everyone, especially if you’d like to do a series.

You want to make sure, however, that you’re very specific about the genre represented in this clause. If you’re publishing a full-length Christian fiction novel with this company, you may not want to publish a memoir with this same publisher. If you have to submit it to them first, you may waste a few months in your submission process. Also, if you want to write a novella in this same genre and self-publish it as an e-book or submit it to another publisher, you want to be free and clear to do this. The way to protect yourself is to make sure this clause doesn’t say you have to submit your next “book” to the publisher. “Book” is too generic. This clause should be genre and word-count specific, i.e. “full-length (85,000+ word) African American Christian Novel.”

You can also specify which type of work you want your agent to represent, if you wish to limit your agent’s involvement.

5. Exclusivity

If you would like to write for more than one publishing house, you need to make sure you secure the right to do so in your contract. Once secured, work with both publishers to make sure that your release dates don’t compete.

Well, that’s all that comes to mind now. If you have anything else to add, feel free to leave your contribution in the comments.

Be blessed!

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