Laurie (L.C.) Lewis will always be a Marylander at heart—a weather-whining lover of crabs, American history, and the sea. She admits to being craft-challenged, particularly lethal with a glue gun, and a devotee of sappy movies. Her ninth published novel, her first romance novella, Sweet Water, was inspired by a visit to Oregon’s magnificent coastline, and time spent with Mother Eugenie, upon whom the character Mother Thomasine is based.
Laurie’s women’s fiction novels include The Dragons of Alsace Farm (2016), Awakening Avery (2010), and Unspoken (2004), written as Laurie Lewis.
Using the pen name L.C. Lewis, she wrote the five volumes of her award-winning FREE MEN and DREAMERS historical fiction series, set against the backdrop of the War of 1812: Dark Sky at Dawn (2007), Twilight’s Last Gleaming (2008), Dawn’s Early Light (2009), Oh, Say Can You See? (2010), and In God is Our Trust, (2011).
She is currently completing a political suspense novel planned for a summer 2017 release, a re -release of a romantic comedy, and she’s working on another historical fiction novel for a 2018 release. She loves to hear from readers.
Matthew Grayken is young, successful, and dying, which is why he’s about to propose to a total stranger. He isn’t interested in love. He needs a caregiver, a companion, and someone to be his legal voice when he can no longer speak for himself.
Lonely, compassionate nurse Mikaela Compton is intrigued by Matt Grayken’s tender request, but when their friendly marriage turns into love, she rejects the inevitability of Matt’s death and prays for a miracle instead.
Mikaela succeeds in reigniting Matt’s will to fight, but his body is losing the battle, and her determination to save him causes her to betray the fundamental promise she made him–to help him die peaceably.
Their last hope at saving Matt’s life will require a sacrifice from each of them, and force them to decide how far out on a limb they’re willing to go for love.
Snippet:
After breakfast, they drove to Union Station and picked up Matt’s car. After dropping Mikaela’s car off, they took the Range Rover to go table shopping. Matt was so moved by the joy she found in sharing that small adventure that they spent the rest of the afternoon in the crisp late September air, strolling Georgetown’s curio shops, buying art prints and kitchen gadgets.
Mikaela pulled him into a Christmas shop bedecked with lights and steeped in the scent of balsam. Like radar, she zoned in on the trees laden with Christmas ornaments, some elegant, some merely for fun. She moved from tree to tree, swooning over one decoration after another. Matt used a variety of excuses to leave the store and wait for her down the street, but she clamped her hand over his arm and dragged him to a regally-bedecked twelve-foot tree that mocked his fear of spending Christmas in a pine box.
Mikaela dangled several whimsical ornaments before Matt’s eyes, swooning over each one before selecting a few. The more her enthusiasm bubbled, the harder he found it to breathe. He wondered if he’d live long enough to see the blasted baubles adorn a tree.
“You don’t love them.”
“Get whatever you like.” He heard the irritation in his voice and tried to mask it with a half-smile.
“Do you think these are gaudy? You probably grew up with an elegant tree?”
“Isn’t it a little early to be thinking about Christmas?” He batted a clay cupcake dangling from a silver cord. “If you need to do this now, why not just buy a matched set of gold balls?”
“Because these are memories.” Mikaela’s eyes brightened like the twinkle lights on the tree.
For the first time, he noticed what ornaments dangled from her left hand—a bride and groom, a heart, a plane, a helicopter, a taxi, the New York City skyline, and a tacky-looking crab ornament with “Baltimore” painted across it—mementoes of the short time they’d already spent together. A chill coursed through him as he realized the marital sentiment she was expressing.
Her other hand held an assortment of ornaments representing places they’d never been and things they’d never done. Mikaela had selected three balls painted with D.C. scenes—the White House, the Washington Monument, and the Capitol. These were easy destinations mere blocks from the house. The other ornaments were completely random—a picnic table with tiny dishes and food set upon it, a movie theater ticket made from clay, a canoe, a bowling pin set, and a golden star.
He cocked his head sideways and drank in her slightly crooked smile, the gold flecks in her eyes, the whimsical mop of hair that flopped to the left. “But we’ve never—”
“But we will! We’ll make a list and do these things together.”
Her enthusiasm gave him the courage to likewise suspend medical reality and join in her denial. He found a pair of red lips and a puppy ornament. “What do you think? First kiss? And I think we should get a dog.”
“Uhhh. . . Okay on the lips, but we should discuss the matter before actually purchasing a living thing.” She held up a boat ornament and a pair of pot-bellied old timers seated in front of a TV.
Matt eyed them as a knot grew in his throat. “You and me in fifty years?”
“Eighty. No way I’m letting you look like that in fifty.”
He caught the sheen in her eyes, the denied tear she wiped away when grousing about catching a speck of glitter in her lashes, but he knew that they were living on wishes and dreams.
Laurie (L.C.) Lewis is Marylander—a weather-whining lover of crabs, American history, and the sea. Her women’s fiction novels, written as Laurie Lewis, include Unspoken (2004), The Dragons of Alsace Farm (2016) and Sweet Water (2017), books one and two in her Second Chance Romance Series, and Love on a Limb (2017), book one in her new Great Expectations Love Stories Series.
Laurie (L.C.) Lewis knows that wherever life takes her, she will always be a Marylander at heart—a weather-whining lover of crabs, American history, and the sea. She admits to being craft-challenged, particularly lethal with a glue gun, and a devotee of sappy movies.
In need of his own redemption, Noah Carter finally confronts his childhood hero, the once-beloved uncle who betrayed him. Instead of vengeance, he offers forgiveness, also granting Uncle John a most curious request—for Noah to work on the ramshackle farm of Agnes Deveraux Keller, a French WWII survivor with dementia.
